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Who Sang Pop a Top Again Originally

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"Blue Velvet"
Unmarried by Tony Bennett
B-side "Solitaire"
Released September 21, 1951
Recorded July 17, 1951
Studio Columbia 30th Street Studio, New York City
Genre Traditional pop
Length 3:01
Label Columbia
Songwriter(s)
  • Bernie Wayne
  • Lee Morris
Tony Bennett singles chronology
"Common cold, Common cold Middle"
(1951) 		"Blue Velvet"
(1951) 		"Here in My Heart"
(1952)
"Blue Velvet"
Single by Beak Farrell
B-side "Be Mine Tonight"
Released September 1951
Genre Traditional pop
Length two:31
Label MGM
Songwriter(s)
  • Bernie Wayne
  • Lee Morris
Pecker Farrell singles chronology
"4 Twenty A.M. (with The Girlfriends)"
(1950) 		"Blueish Velvet"
(1951) 		"Heaven Knows Why"
(1952)
"Blueish Velvet"
Single past Arthur Prysock
B-side "The Morningside of the Mountain"
Released September 1951
Recorded July 23, 1951
Studio Decca Studios, Pythian Temple, New York City
Genre Traditional pop
Length 2:57
Label Decca
Songwriter(s)
  • Bernie Wayne
  • Lee Morris
Arthur Prysock singles chronology
"Bluish Velvet"
(1951) 		"(It's No) Sin"
(1951)

"Blue Velvet" is a popular song written and composed in 1950 by Bernie Wayne and Lee Morris. A meridian 20 striking for Tony Bennett in its original 1951 version, the song has since been re-recorded many times, with a 1963 version by Bobby Vinton reaching No. 1.

Inspiration/ Limerick [edit]

Songwriter Bernie Wayne was inspired to begin writing "Blue Velvet" on a 1951 visit to Richmond, Virginia where he stayed at the Jefferson Hotel: at a political party at the hotel Wayne continually caught sight of a female guest dressed in blue velvet with whom he would have a holiday romance.[1] [ii]

Tony Bennett original version and 1951 covers [edit]

The song's co-writer Bernie Wayne had pitched "Blue Velvet" to Columbia Records head A&R human Mitch Miller, who as soon equally he'd heard the song's opening measure: "She wore blue velvet", had suggested giving the song to Tony Bennett. (Wayne'due south response: "Don't you want to hear the rest of the vocal?", caused Miller to opine: "Quit while you're alee!")[3] Recorded in a July 17, 1951 session with the Percy Faith orchestra and released September 21, 1951, Bennett's version peaked at No. 16 on the Billboard chart of "Records Most Played by Disc Jockeys,"[iv] while reaching No. eighteen on Billboard's chart of "All-time Selling Pop Singles,"[5] and No. 18 on Billboard's chart of "Most Played Juke Box Records."[6] Bennett's version of "Blue Velvet" made its anthology debut on a 1959 compilation LP that was also titled Blue Velvet. [seven] The unmarried's B-side "Solitaire" was also a Acme 20 striking.

"Blueish Velvet" was expediently covered by Arthur Prysock—whose version although recorded a week later Bennett's manifestly was the first version released, in Baronial 1951—Pecker Farrell, and Norman Kaye (a solo act who was also a member of the Mary Kaye Trio): the Cash Box Top l singles chart ranked Bennett'south version and the three covers in tandem, with a elevation position of No. 12 attained on the chart dated December one, 1951.[8] Cash Box also ranked Bennett's version as high as No. xi on its chart of "The Nation'due south Top 10 Juke Box Tunes"."[9]

The New York Times music journalist Stephen Holden would vaunt "Blue Velvet" as one of the iv tracks which defined the first stage of Bennett's recording career: according to Holden "Blue Velvet" along with "Considering of Y'all" (1951), "Cold, Common cold Heart" (1951), and "Stranger in Paradise" (1953), "stand up as the gorgeous final flowering of the high-romantic manner invented in the 1940s past Sinatra [with] arranger Axel Stordahl. Pure and throbbing, ...Bennett's voice adds a semi-operatic heft to Sinatra's more intimate crooning style. Male pop singing since [the mid-1950s] has never been [then] unabashedly sweet."[ten] In 1957 Bennett would begin a longstanding working human relationship with jazz pianist Ralph Sharon who Bennett would recall advised him: "If you go along singing...sweet saccharine songs like 'Blue Velvet' sooner or later...you're going to finish selling [records]" and with his 1957 album The Beat of My Heart - produced and conducted past Sharon - Bennett had launched a new musical persona equally an intensely intimate song stylist.[xi]

A live version of "Blue Velvet" was featured on the 1962 concert album Tony Bennett at Carnegie Hall, [12] with the selection being included on The Good Life, a 1963 EP release in the UK.[13] Bennett dueted with k.d. lang on a remake of "Blueish Velvet" for his 2011 anthology Duets II, [14] while Bennett's 2012 anthology Viva Duets featured Bennett duetting on "Bluish Velvet" with Maria Gadú, who sang her part in Portuguese.[15] ("Blue Velvet" was a bonus cut on an edition of Viva Duets sold exclusively through Target.)

The Clovers version [edit]

"Blue Velvet"
Blue Velvet Song Recorde Single.jpg
Single by The Clovers
B-side "If You Dearest Me (Why Don't Y'all Tell Me So)"
Released 1955
Recorded Dec 16, 1954[xvi]
Studio Atlantic Recording Studios, New York City[16]
Genre Rhythm and blues
Length 2:38
Label Atlantic
Songwriter(s)
  • Bernie Wayne
  • Lee Morris

In 1955, the Clovers released a version of the song through Atlantic Records as a unmarried.[17] The song was initially recorded, produced, and released when the R&B group was all the same composed of John "Buddy" Bailey (lead vocaliser), Baton Mitchell, Matthew McQuater, Harold Lucas, Harold Winley, and Bill Harris.[18] Various members of the group left, died, or were replaced, although the group as a whole all the same performed the song regardless of whom its members were. The single reached No. 14 on Billboard's Rhythm & Blues Records nautical chart of "Best Sellers in Stores."[19] In 1956, the Clovers released the song on their eponymous album.[twenty]

The Statues version [edit]

The start version of "Blue Velvet" to appear on the Billboard Hot 100 during the rock 'n' curlicue era was recorded and released by the Statues, a Nashville-based doo-wop trio consisting of Buzz Cason, Hugh Jarrett, and Richard Williams.[21] In 1959 Cason and Williams, members of local rockabilly band the Casuals, had been invited by Jarrett, a former member of the Jordanaires and later a disc jockey at WLAC, to join him - along with veteran groundwork songstress and composer Marijohn Wilkin - to form a vocal chorale who would back artists recording in Nashville;[21] [22] the 3 male person members of the chorale were signed to Liberty Records by label founder Al Bennett, who had Snuff Garrett - in his credible debut every bit a producer - record the trio in three sessions at the Owen Bradley Studio at the end of November or the beginning of December 1959.[23]

Two sides from the Garrett sessions had a May 1960 unmarried release credited to the Statues (the group name was a reference to the Statue of Liberty, as the group was signed to Liberty Records): the intended A-side was the Marijohn Wilkin original co-write (with Polly Harrison) "Continue the Hall Light Called-for" just it was the flip: a remake of "Bluish Velvet," which would not but get a Top 10 hitting in Nashville but also rank on regional hit parades across the The states ascension as high as No. 8 on the September xxx, 1960 Superlative 50 survey for preeminent Los Angeles Superlative forty station KRLA.[24] Nonetheless, the Statues's version of "Blue Velvet" would merely accrue enough focused national involvement to rank on the Hot 100 for a period of three weeks in Baronial 1960, with a peak of No. 84,[25] [26] while reaching No. fourscore on the Cash Box Top 100.[27]

Bobby Vinton version [edit]

"Bluish Velvet"
Unmarried by Bobby Vinton
from the album Bluish on Blue
B-side "Is There a Place (Where I Tin Go)"
Released Baronial 2, 1963[28]
Recorded May 27, 1963[29]
Studio Columbia Recording Studios, Nashville, Tennessee
Genre Traditional popular
Length ii:47
Label Epic
Songwriter(s)
  • Bernie Wayne
  • Lee Morris
Producer(s) Bob Morgan
Bobby Vinton singles chronology
"Blue on Blue"
(1963) 		"Blue Velvet"
(1963) 		"In that location! I've Said It Again"
(1963)

Background [edit]

The almost successful recording of "Blue Velvet" was recorded (on May 27, 1963) and released by Bobby Vinton in August 1963, backed past Burt Bacharach and his Orchestra.[29] Bobby Vinton'due south version reached No. one on the Billboard Hot 100 on 21 September 1963 and remained at No. 1 for the subsequent two weeks.[30] [31] "Blue Velvet" also afforded Vinton a No. i hit on the U.S. Middle-Road Singles chart, where its No. one tenure was eight weeks.[32] [33]

Bobby Vinton's No. three hit in the summer of 1963, with "Blue on Blueish," prompted the recording of the Blue on Blue album comprising songs featuring the word "blue" in the title. Although songwriter Bernie Wayne would recall existence told by Vinton that the singer had wanted to record the vocal since hearing the Tony Bennett version in 1951[2] it was reportedly Vinton's friend, music publisher Al Gallico, who suggested "Blue Velvet" every bit a Blue on Blue album track and sent his secretary with a dollar to a music store to purchase the song's sheet music; an hour later, Vinton had recorded "Blue Velvet" in two takes. Vinton did non expect the vocal to exist a hitting, and believed that his remake of "Am I Blue?" had more sales potential.[34]

Vinton'southward version was ranked No. v on Billboard 's end of twelvemonth ranking "Top Records of 1963",[35] No. 4 on Greenbacks Box's "Top 100 Chart Hits of 1963",[36] and No. 8 on Cash Box 'southward "Acme 100 Chart Hits of 1964".[37]

Vinton's recording failed to make the British charts when originally released, but the rail's beingness heard in a televised ad campaign for Nivea cold cream effected a 1990 U.k. re-release[38] with "Blue Velvet" reaching No. 2 on the UK Singles Chart.[39]

Charts [edit]

Lana Del Rey version [edit]

"Blue Velvet"
Lana Del Rey Blue Velvet Cover.jpeg
Promotional single by Lana Del Rey
from the EP Paradise
A-side "Ride"
Released September 20, 2012 (2012-09-20)
Genre Sadcore
Length 2:36
Label Interscope
Songwriter(south)
  • Bernie Wayne
  • Lee Morris
Producer(south) Emile Haynie
Lana Del Rey promotional singles chronology
"Carmen"
(2012) 		"Blue Velvet"
(2012) 		"Burning Desire"
(2013)

American singer and songwriter Lana Del Rey released a comprehend of the song "Blue Velvet" in 2012. It was taken from reissue of her 2nd studio album Built-in to Die – The Paradise Edition and her third EP, Paradise. Information technology was released every bit a single on September xx, 2012, through Interscope Records, and used in an advertizement entrada for the clothing retailer H&M.

Background [edit]

Del Rey had recorded a comprehend of "Blue Velvet" for her 2012 H&One thousand Fall entrada.[52] On September 20, the song was released equally a single.[53] Del Rey was selected for the H&Thou advert campaign after an impressive performance at a Mulberry dinner party. Manufacture moguls Michelle Williams, Alexa Chung, Elizabeth Olsen, and Anna Wintour attended the political party and were impressed past the performance. A public relations manager for H&Chiliad said Del Rey was chosen because they "were looking for a style icon and singer to model our fall collection so Lana Del Rey was the perfect choice."[54] [55]

Music video [edit]

On September xix, the music video, which served as a commercial for the H&M 2012 Fall Collection as well, for "Blue Velvet" was released through H&Thousand.[56] In the video, Del Rey is singing the vocal in a low-lit room earlier an audience of pallid people, playing an Americana lounge singer dressed in a pink mohair sweater,[57] She is and then hypnotized.[58] Three women dressed identically to Del Rey sit down on a burrow and watch her coldly.[59] At the terminate, a little man walks into the room, pulls out the plug for Del Rey'south microphone, silencing her.[58] Compared to the David Lynch film of the same proper name,[60] information technology was directed by Johan Renck.[60] and composed in post-Globe War Ii Americana fashion and the notion of external beauty cloaking inner vulnerability.[61] A behind the scenes video was filmed and posted to H&M's official YouTube aqueduct.[62]

Disquisitional reception [edit]

Rolling Stone called Del Rey's cover "doleful."[58] Carl Williot, of Idolator, dubbed Del Rey'south cover "beautifully languorous and dreary (though [it] is replete with her go-to swell of strings and grainy programmed beats)."[61] Jenna Hally Rubenstein, writing for MTV, called the commercial and vocals "moody, totally broody," playfully adding, "What would a Lana Del Rey entrada exist if it didn't make you feel a tad depressed?" In the video, Rubenstein said Del Rey was a "ridiculous dazzler" sporting a Brigitte Bardot–inspired look, which she added, not every vocaliser can pull off.[59] People said the video was dramatic, intriguing, unique, and played off the moody, vintage Hollywood image of the retro-inspired starlet. Appropriately, they wrote, the video had motion-picture show noir elements.[63] Specifically, it was compared to the neo-noir motion-picture show, Mulholland Bulldoze, as well as to the film Blue Velvet itself.[64] In an interview with Artinfo, David Lynch spoke out virtually Del Rey's embrace:[64] [65]

Lana Del Rey, she's got some fantastic charisma and — this is a very interesting matter — it's like she's born out of another fourth dimension. She'southward got something that's very appealing to people. And I didn't know she was influenced past me![64] [65]

Track listing [edit]

Digital download [66]

  1. "Blueish Velvet" – ii:36

Credits and personnel [edit]

Credits adapted from the liner notes of Paradise.[67]

Performance

  • Lana Del Rey – vocals

Instruments

  • The Larry Gilded Orchestra – strings

Technical and production

  • Ben Baptie – mixing assistant
  • Spencer Burgess Jr. – banana recording engineer
  • John Davis – mastering
  • Tom Elmhirst – mixing
  • Larry Aureate – string arrangements
  • Emile Haynie – product

Charts [edit]

Release history [edit]

Other recordings [edit]

The Paragons released a version of the song as a unmarried in 1960. Their version reached No. 103 on Billboard 's "Bubbling Under the Hot 100".[79] It spent three weeks on the chart in the autumn of 1960, sharing the "Bubbles Under" nautical chart for two weeks with the version past the Statues, which had but dropped off the Hot 100 (run into Department 4 higher up).[79]

Lawrence Welk and His Orchestra released a version in 1963, every bit a unmarried and on the album Wonderful! Wonderful! [80] Information technology reached No. 103 on Billboard 'due south Bubbling Under the Hot 100.[81] A unlike, fully instrumental recording was featured on Welk'south 1965 album Apples & Bananas.[82]

The 2022 album Upward Screw past the Branford Marsalis Quartet with vocalist Kurt Elling features a remake of "Blue Velvet".[83]

Australian singer Kylie Minogue recorded "Blue Velvet" and included information technology as the quaternary song in the track list of her 2022 alive album Golden Live in Concert.

The Moonglows recorded "Blueish Velvet" in 1956, but it was not released for several years.[84]

Utilise in film soundtracks [edit]

Bobby Vinton's "Blue Velvet" is i of the thirteen songs featured in Kenneth Anger'southward groundbreaking experimental movie Scorpio Rising (1963). Tony Bennett's version of the song is featured in The Last Film Show and Raging Bull.

Bobby Vinton's version is featured several times in David Lynch'due south 1986 film Blueish Velvet. The film drew partial inspiration from the song's lyrics, where Isabella Rossellini, who plays Dorothy Vallens, a vocalist in the picture show, sings the song in-character.[85] Lynch selected the song, considering it conceptually matched the mood of the picture. Specifically, in an interview he gave to the Village Vocalisation, Lynch said of the song: "The mood that came with that song a mood, a fourth dimension, and things that were of that time."[86] Songwriter Bernie Wayne would state that at the film's premiere he was told by Lynch that when he was a high school educatee in 1963 Vinton's "Blue Velvet" had been his favorite vocal.[87] The film heavily incorporates portions of the song.

Bobby Vinton'south version is featured once, in the fourteenth episode of Kamen Rider Kuuga, as the Gurongi Me-Gyarido-Gi backs up a truck.

References [edit]

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Source: https://en.wikipedia.org/wiki/Blue_Velvet_(song)

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